It’s been quite a while since the three prior installments of this series (which you can see here, here and here) but perhaps the time off has been a good thing. In the previous installment, I limited myself to books that were generally in print–this time I went a bit more afield, though most of these books below are still pretty obtainable, though not necessarily in print anymore. I’ve also included books that I had either overlooked, or had already written about in other contexts, or simply had not owned or read before.
Switch by John Lovick: This is the last word in what has come to be known as the Hundred Dollar Bill Switch. There are dozens of variations and techniques taught in close detail, both tip and tipless, worth getting under your belt.
Act Two by Barrie Richardson: Richardson is one of my favorite magic writers and his books are overflowing with excellent mental magic plots, scripts, and methods. This book contains my favorite—and possibly easiest–parlor ACAAN effect.
Before We Begin by Asi Wind: This is a brilliant book that fills a neglected but important technique of mentalism. After reading this book with its very detailed scripts you might change your mind as I did, and consider the usefulness and effectiveness of this technique.
The Devil’s Staircase by Greg Chapman and Details of Deception by Greg Chapman: I’ve written about these two books on this blog before, so see those essays for more details, but in brief, these two books of Greg’s are filled with unique gambling type card routines, sleights and tools that will leave audiences with no possible explanation.
Approaching Magic by David Regal: all of Regal’s material is great, and in this big book there is a wealth of card, coin and parlor effects. Regal’s magic always has a strong premise and script, and his methods are often ingenious. This book also has some wonderful essays and will keep you busy for a long time. A desert island kind of book.
Smoke and Mirrors by John Bannon: Like David Regal, Bannon’s close-up card and coin effects are fun and ingenious, and any of his books are worth picking up. I like this early book best as I think it has some of his strongest magic in it for casual tabletop performance.
Magic For Young Lovers by Andy of the Jerx: this book is probably the hardest book on the list to find now–it was offered a few years ago to subscribers to Andy’s blog. When I read it, I thought it was one of the best magic books I’d ever read, outlining an approach to magic that really resonated with me. It conveyed what a true magic experience should encompass. This may sound strange, but I’ve never opened it since my first reading of it, because I’ve been reluctant to disturb the memory of what a great experience it was to read it that first time.
Outs, Precautions and Challenges by Charles H. Hopkins: I’ve written about this before on my blog, and it’s a fun little booklet to read. It’s kind of old-fashioned and maybe promises more than it delivers, but it presents a good outline of the problems a performer can face and some possible solutions.
In Order To Amaze by Pit Hartling: This is a must for memdeck workers. As powerful a tool that a memdeck is, the most difficult part of devising magic for it in my opinion has always been in creating entertaining plots and presentations for those effects. Pit Hartling’s ideas and scripts are superb and set this book apart from many others using the same tool.
The Magic of Alan Wakeling by Jim Steinmeyer: I don’t do much stage magic so I can’t say this is a book that I go back to many times, but it is a fascinating look at the mind of an incredibly ingenious designer and performer of stage illusions. The section alone on the Think-a-Drink plot and apparatus is inspiring.
The Annotated Erdnase by S. W. Erdnase and Darwin Ortiz: Eventually if you’re into cards you know one day you are going to have to eat your spinach, and Ortiz’s annotated version of Erdnase is a delightful way to do it. In this large hard bound book, Erdnase’s text is on the inside portion of the double page, while Ortiz’s commentary is in the outer margins. The commentary covers much historical and technical information that makes the journey even more tasty.
Routined Manipulation Finale by Lewis Ganson: I included this book because I think poor Lewis Ganson generally gets a raw deal as a magic writer. He tends to be dismissed because he is generally describing the work of other great magicians such as Dai Vernon, but his books are generally full of wonderful material. For the life of me, I can’t understand why this book, available in paperback, is not referenced more often. I think the contents rival the material in the Stars of Magic book. There are effects in here from Fred Kaps, Pat Page, Ali Bongo, Al Koran, Alex Elmsley, and more.
Faro Fundamentals by Greg Chapman: I’ve written about this book on the blog before so see that essay for more detail. This 52-page booklet would be my go-to recommendation to learn not only how to faro but some excellent uses of it. Even if you already do a faro, you’ll find information in here that you may not have seen before that will help you get the most out of it.