In this installment, we’ll be getting into more specialized and advanced books, yet I think the information in each of them is valuable no matter what area of magic most intrigues you.
The Dai Vernon Book of Magic by Lewis Ganson: Some of the classic close-up routines of magic, including The Chinese Coins, that should be in every magician’s repertoire.
Restaurant and Bar Magic by Jonathan Kamm: Kamm is a bar magician, and in this slim book of effects he explains some wonderful mainstays of the bar magician. If you’re not a drinker, don’t let the appellation of bar magic worry you. Bar magic is close-up magic that requires little in the way of props, but it has a very clear plot, is visual, often modular, and has high impact. There’s a great repeat card under deck routine here as well as seven other routines which, as they say, are workers.
Marked for Life by Kirk Charles: This is a slim paperback on how to create your own deck of marked cards and tricks to do with same. There’s a hilarious trick done with a rubber stamp imprint of a cat’s paw that I used to have a lot of fun with. But the real winner here is the system for marking cards that Bob Farmer came up with that requires only a red Sharpie on a red Bicycle deck which produces marks that can be seen from a good distance.
Expert Card Technique by Jean Hugard and Frederick Braue: This one may sit on the shelf until you’re ready for it, but once you are, you will be amazed at the gems of advanced card magic sleights and effects it contains: passes, glimpses, transpositions. Though written before Royal Road to Magic and Card College, this is the post-graduate course.
Taschen Magic Posters: I’ve written about this book before, and I continue to feel that it’s one of my favorite magic books of all time. This multi-lingual large-size edition pictured above is out of print and hard to find now, but there’s a smaller sized abridged version available at very reasonable cost, which is still quite wonderful. It’s beautifully put together with glorious reproductions of hundreds of years of magic posters interspersed with essays from the likes of Jim Steinmeyer. It’s big, heavy, and an absolute pleasure to pull out on a rainy day.
An Actor Prepares by Konstantin Stanislavski: while this volume was meant for theater actors performing in a scripted play, there is much here to be learned here about communicating with an audience. The Spanish magician Juan Tamariz summarized some of this information in The Five Ways of Magic, but An Actor Prepares goes more deeply into some important aspects of performing and getting ready to perform. Pay special attention to the sections on Relaxation, Concentration, Units and Objectives, Faith and a Sense of Truth, The Super-Objective, and Communion.
Act Two by Barrie Richardson: There’s more great mental magic in this sequel to Theater of the Mind. If you’ve always wanted to learn a memdeck, but don’t think you’re quite up to it now, there’s an easy to memorize half memdeck here that’s very useful. In particular, it’s used in a easy-to-do stage ACAAN that plays big. There are many other mental effects and techniques here that are worth exploring as well.
Card College, Volumes 2, 3, and 4: by Roberto Giobbi: Card College is a massive achievement but I think Royal Road substitutes well for Volume 1 and has better tricks, and Volume 5 is largely a book of pleasant but unessential card tricks. For me, the real stars of the CC series are Volumes 2, 3 and 4, which form an excellent detailed reference for learning and executing the most common card sleights one might come across in other sources.
Magic is My Weed and How to Make Love the Steve Spill Way both by Steve Spill. I put these two books together because frankly it is hard to decide between them. Simply, read them both. They are not cheap, but if you are planning to set foot onstage before a large audience in a regular professional capacity, these books would be a very wise investment. I did detailed reviews of the two books here (Weed) and here (Love). If you want to be a performer and not just a guy or gal doing tricks, these books are a goldmine of information. Wonderful effects, jokes, scripts, but even more wonderful advice about how to construct an act and entertain an audience.