Blowin’ Down This Road (I Ain’t Going To Be Treated This Way)

Monday morning, Woody Guthrie lays out his requirements. “Your $2 shoe hurts my feet, Lord, Lord, and I ain’t going to be treated this a-way.”

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More at Woody Guthrie – Topic

“Two Billion Heartbeats And Out”: Paul Simon

Well, Paul Simon has passed his 2 billion figure so far, so perhaps there is hope. The phrase is from his song on his new album, Seven Psalms, “Your Forgiveness.”

Thanks to YouTuber The Late Show with Stephen Colbert

Urzula!

Monday Morning, “Papaya.” I owned the album Urszula which had this song on it, “Papaya,” because in 1975 I worked for a short time in a record store in Grand Central Station, and the manager, who was a jazz freak, insisted we all listen to it. I immediately bought it. The singer was a Polish jazz singer named Urszula Dudziak, and she had the most amazing range. “Papaya” was by far the most commercial track. The rest of the album was filled with incredible sonic experiments which were so far out (and according to my roommate at the time, maximally annoying) that they made Frank Zappa seem like bubble gum pop.

Thanks to YouTuber Rat Ward

More is Loesser Dept: I’ve Never Been In Love Before

Monday morning, a great tune by Frank Loesser who wrote it for the play, Guys and Dolls. For some reason, the song never made it into the movie, to the film’s detriment.

Emmet Cohen and his band and vocalist Gabrielle Cavassa knock it out of the park.

More at Emmet Cohen

Billie, Lester, Fats and Duke

(Click to enlarge)

Billie, Lester fats and Duke by artist Frederick J. Brown

The Spike Lee “Creative Sources” Exhibition at the Brooklyn Museum

Eastern Parkway,

Brooklyn, New York

Fast Car: Tracy Chapman and Luke Combs

Most of the Grammy Awards broadcast was hard to take, but the best moment in it was when Tracy Chapman appeared with Luke Combs in order to sing her great 1988 song, “Fast Car.” Luke Combs, a straight white country western singer was an unlikely candidate to make a hit cover of the Chapman song, but he did so in 2023, and because Chapman not only wrote the song, but owned the publishing rights, Combs’ version netted Chapman at least half a million dollars in royalties.

One thing about the Luke Combs official version that I haven’t seen anyone remark upon, is that in the line “I work in a market as a checkout girl,” Combs sings that line unchanged. I think that it is very unusual for a male singer who doesn’t identify as LGBTQ to not change the gender to suit him in a popular song–especially considering his largely conservative leaning audience. In fact, I can’t think of it ever happening. Can you?

I’m glad he didn’t change it, because it’s a perfect song the way it is, and the underlying class message is clearly something that resonates with more and more Americans.