“So Hoist Up The John B. Sails”


, , , , ,


Monday morning, taking the worst trip you’ve ever been on. An A-1 cover of the Beach Boys’ “Sloop John B.” Josh Turner on guitar and falsetto really nails it here.

Alec Hamilton (keys), Ben Cooley (Tenor, tambourine) Josh Turner (Electric Guitar), Taylor Bloom (Acoustic Guitar), Marc Encabo (Bass) and Bob Sale (Drums).

Thanks to YouTuber Josh Turner Guitar

Gerald Deutsch’s Perverse Magic: The First Sixteen Years


, , , , , ,

deutsch_cover 1-2-19


I’ve written here about Gerald Deutsch before, and I’ve even posted video here of me performing some of his magic, so I’m happy to report the publication this week of a beautiful hardcover 470+ page book chock full of Jerry Deutsch’s unique brand of magic called Gerald Deutsch’s Perverse Magic: The First Sixteen Years. Later in this post I’ll talk about the genesis of the book and my role in producing it, but first I’d like to explain a little more about what “Perverse Magic” is.

Magic is a wonderful entertainment and sometimes art, but there is an aspect of it that can potentially turn audiences off. A performer says to an audience, in effect, “See how wonderful I am,” but a performer claiming such magical power risks getting into a power struggle with a certain kind of spectator.

But Jerry’s style of magic, “Perverse Magic,” (the term is taken from an early magician, Charles Waller, who first mentioned this style of magic) eliminates this potential friction point between performer and audience. The magic happening is attributed not to the performer’s will, but to causes outside it. In other words, the magician appears to be just as baffled (Acting!) as the audience member is; in that way, the performer is on the same side of the spectator, rather than an antagonist.

Jerry has described six possible entertaining categories of Perverse Magic:

1. Something just happens without the performer’s knowledge, and without the performer wanting it to happen. You can see this in the magic of Cardini, where cards and cigarettes appear in his hands out of his control.

2. The performer expects one kind of outcome, but something else happens instead. For example, the magician says he will make a selected card penetrate a handkerchief; instead, when the hankie is opened, the card face is blank and the hankie has a large size copy of the chosen card printed on the handkerchief.

3. The magician says he’s going to do something; but instead, that something happens by itself. For example, a rope suddenly unties itself.

4. The magician does something and is caught; but when he confesses, it’s not what the audience thought–nor what the magician thought either. For example, in an egg bag routine, the magician admits that he has been hiding a spare egg in his armpit. But when he lifts his arm to retrieve the egg, to the surprise of both the performer and audience, the egg has vanished.

5. The magician and the audience are on different planes as to what each sees. This is a whimsical approach: for example, a magician pays for some candy with a half-dollar that s/he offhandedly pulls from a pen cap.

6. The performer doesn’t understand why what happens, happens. For example,  the performer fails to find the spectator’s card, even after several tries. In disgust, s/he throws the cards upwards–and to the performer’s, and the rest of the audience’s amazement, the spectator’s card sticks to the ceiling.

It’s a great way to solve the ego problem in magic.

Let me explain a bit on how this book came to be. For the past sixteen years, every single month Jerry Deutsch has been posting Perverse Magic effects to the Genii magic forum. Finally, a few months ago, Jerry brought an end to the wonderful series.

Jerry’s posts instantly resonated with me–I had tinkered around with something I called “Accidental Magic” for a while, when I discovered that Jerry had been doing this for decades before. When I discovered Jerry’s Genii thread, I was enchanted. I looked forward every month to Jerry’s latest perverse entry on the Genii forum.

I thought it would be nice to gather up all of Jerry’s posts and put them into book form so that I could study Perverse Magic more closely for my own personal use. I’m a book guy, that’s how I learn. So I began putting the book together, and as I progressed I thought, wouldn’t it be a great tribute to Jerry to release this to the general magic public?

I didn’t want to step on anyone’s toes, so I asked Richard Kaufman, editor of Genii, what he thought, and he gave the project his approval. I asked Jerry, and he was happy to be getting a copy, but he preferred not to release it to the general magic public.

I prevailed upon Jerry, telling him that there were three good reasons for having the book released:
1) He deserves financial remuneration for his efforts.
2) For many people, book form is more convenient to learn from than a website.
3) Most importantly, Jerry’s landmark contributions to the art of magic in developing this unique form of magic should be documented, appreciated, and preserved in a more permanent way than the internet cloud.

Jerry still demurred, even after I assured him that I wanted no remuneration for myself. I was disappointed, but I continued working on the book. When it was finally finished, having designed the book layout and cover, and copy-edited it, I sent Jerry a copy.

A few days later I got a call from Jerry, who I had never spoken to on the phone before. He was really happy about the book, and wanted to release it to the general magic public with one important condition: that all proceeds would go to charity.

I was so happy when he said this. It was the perfect solution! Jerry mentioned that he had done work volunteering in hospitals, doing magic for young patients, and that he would like to find a charity that would support that kind of work.

We did some research and we came up with a perfect fit: Open Heart Magic. They are a non-profit charity whose main mission specifically is to train volunteers to do magic in hospitals for young patients. We spoke to the folks at OHM, and they were happy to help set things up so that all the proceeds of Jerry’s book would go to their foundation. You can take a look at the great work these people do at http://www.openheartmagic.org

So if you’d like to treat yourself to the book, I think you’re making a great decision: Jerry’s effects are terrific and well-explained, the price is right, and the cause is a great cause to support. It also makes a great gift. You can order it here:


“We Don’t Need No Stinkin’ Badges”


, , , , , , , , , , , ,




In a world gone crazy, we might need to put the entire planet on the couch. Bruce Levine, a practicing clinical psychologist often at odds with the mainstream of his profession, argues in his newest book, Resisting Illegitimate Authority: A Thinking Person’s Guide to Being an Anti-Authoritarian, for the essential value of anti-authoritarians in a democracy, and questions their treatment by the medical establishment. He also dishes a few pro-tips on how resisters can survive the slings and arrows of an authoritarian society.

You can listen to my interview with Bruce Levine as broadcast this week on the Arts Express radio program on WBAI 99.5 FM NYC, by clicking on the grey triangle above.

The Great Divide


, , , , ,


FISM has been called the World Olympics of Magic. It’s not quite that, but it is an international competition where performers attempt to wow their fellow magicians. This year’s winner was the amazing Eric Chien who turns some common tropes of card and coin magic upside down and inside out. For me, he’s the most refreshing card man since Shin Lim. 

Click on the video to see some powerfully entertaining magic that will leave you shaking your head, “How?”

More at Eric Chien

The Poor Side Of Town


, , , , , ,


Because what would a New Year be without Dick Clark?

Surprisingly to me, this great song was the only record of Johnny Rivers (he of “Secret Agent Man” and “Memphis” fame) to reach #1 in the United States.

Thanks to YouTuber YouCanDanceToit!

Auld Lang Syne


, , , , , , , , ,

alcohol alcoholic beverage celebrate

Photo by Pixabay on Pexels.com



As we end the year this Monday, we might think on Robert Burns. His most famous poem, written in 1788, was first set to music five years later. But it wasn’t until 1799, a few years after Burns premature death, that the poem was set to the melody we know today. Here’s our friend and Arts Express colleague Mary Murphy performing Auld Lang Syne with the original Scottish pronunciation and words of Robert Burns. Wishing all our readers a happy 2019, and remembrances to friends past and present.

Click on the grey triangle to listen.

“Drawing Warmth Out Of The Cold”


, , , , , ,


As we do each year around this time, we post about that Monday morning when Amber’s uncle got an unexpected visit…

Amber called her uncle, said “We’re up here for the holiday
Jane and I were having Solstice, now we need a place to stay”
And her Christ-loving uncle watched his wife hang Mary on a tree
He watched his son hang candy canes all made with red dye number three
He told his niece, “It’s Christmas eve, I know our life is not your style”
She said, “Christmas is like Solstice, and we miss you and it’s been awhile”

So the Christians and the Pagans sat together at the table
Finding faith and common ground the best that they were able
And just before the meal was served, hands were held and prayers were said
Sending hope for peace on earth to all their gods and goddesses

The food was great, the tree plugged in, the meal had gone without a hitch
Till Timmy turned to Amber and said, “Is it true that you’re a witch?”
His mom jumped up and said, “The pies are burning,” and she hit the kitchen
And it was Jane who spoke, she said, “It’s true, your cousin’s not a Christian”
“But we love trees, we love the snow, the friends we have, the world we share
And you find magic from your God, and we find magic everywhere”

So the Christians and the Pagans sat together at the table
Finding faith and common ground the best that they were able
And where does magic come from, I think magic’s in the learning
Cause now when Christians sit with Pagans only pumpkin pies are burning

When Amber tried to do the dishes, her aunt said, “Really, no, don’t bother”
Amber’s uncle saw how Amber looked like Tim and like her father
He thought about his brother, how they hadn’t spoken in a year
He thought he’d call him up and say, “It’s Christmas and your daughter’s here”
He thought of fathers, sons and brothers, saw his own son tug his sleeve saying
“Can I be a Pagan?” Dad said, “We’ll discuss it when they leave”

So the Christians and the Pagans sat together at the table
Finding faith and common ground the best that they were able
Lighting trees in darkness, learning new ways from the old, and
Making sense of history and drawing warmth out of the cold


Listen carefully and you’ll hear Dar Williams’ s update of the last verse…

Thanks to YouTuber eTown