In 1968, the winners of the Olympics 200 meter sprint, Tommie Smith and John Carlos, stunned the world when they stood on the winners’ stand and as the Star Spangled Banner played, they raised their black-gloved fists in an image that was destined to be remembered around the world and through time. Now Glenn Kaino, a noted artist, and Afshin Shahidi, a noted cinematographer and photographer, have documented the meaning and enduring repercussions of that moment in a new documentary about Tommie Smith called With Drawn Arms. I was happy to have spoken with the two co-directors of the film.
Click on the triangle or link above to hear my conversation with Glenn Kaino and Afshin Shahidi as broadcast today on WBAI NY and Pacifica affiliates across the nation.
In 1980, Joel Sucher made a film called Free Voice of Labor: The Jewish Anarchists, which was a portrait of immigrant life in the U.S. as seen through the eyes of sweatshop workers who made up the Jewish anarchist movement. Between 1900 and World War I, these Yiddish-speaking anarchists constituted an influential political movement affecting trade unions, newspapers, left-wing culture—and hysteria—in the US. Now 40 years later, that film has been re-released. I was happy to interview one of the original directors of Free Voice of Labor, Joel Sucher.
Click on the triangle or link above to hear my conversation with director Joel Sucher as broadcast today on WBAI NY and Pacifica affiliates across the nation.
In 2017, Mark Baumer an artist activist with all the energy of a young Jim Carrey, started walking across the United States, barefoot. His aim was to warn of the dangers of climate change, but came up against his own dangers. I spoke with Julie Sokolow, the director of a new documentary called Barefoot about that journey. In interviews and on-the-road footage she paints a portrait of an artist fighting to save the natural world he loved so much while grappling with his own need to find significance in his life.
Click on the triangle or link above to hear the interview as broadcast today on the Arts Express radio show over WBAI.org and Pacifica stations across the nation.
I recently had a pleasant email exchange with noted author and producer Jerry Zolten who told me that he had picked up a one-sheet poster for the Keaton short from a collector who ran an appliance store. The collector had been deeded a bunch of movie posters by the daughter of a movie house owner who didn’t know what to do with the extra posters lying around, so she gave them to him.
Jerry kindly gave me permission to display the poster here.
Jerry is a very interesting guy, and in addition to teaching university courses on stand-up comedy and the roots of rock ‘n’ roll he produced a remarkable audio documentary about the music and radio of the Vietnam War. It’s so difficult to capture the true spirit of a former time, but if you were alive at the time, this will give you flashbacks:
Last week , I posted Part One of an interview with Dr Ken Paul Rosenberg, the creator of the book and film documentary, Bedlam. He talked about the present crisis state of mental health care in the US. This week we continue with the final part of that conversation as we talk about political considerations —-and Dr. Rosenberg’s personal stake in the story.
Click on the triangle above to hear the conversation as broadcast today on the Arts Express radio program on WBAI 99.5 FM NYC and Pacifica affiliates across the country.
The cliché is that time is money, and it must be true because there are plenty of folks out there looking to steal our time. My guest, Cosima Dannoritzer is the writer and director of an award-winning documentary film called Time Thieves, which takes an international look at the way time has become commodified and manipulated in modern capitalist society.
Click on the triangle above to hear the interview as broadcast today on the Arts Express radio program on WBAI 99.5 FM NYC.
As readers of this blog know, I’m a longtime fan of cartoons from The New Yorker magazine—and the man who wrote and illustrated almost 2000 of those cartoons was a prolific artist named James Stevenson.
But Stevenson, as Sally Williams’s new film documentary, Stevenson—Lost and Found, uncovers, led an unexpectedly complicated, rich, varied, and sometimes dark artistic life. I was happy to talk with Ms. Williams, the director and producer of the film, about her film and her enigmatic subject.
Click on the triangle above to hear the radio interview, as broadcast today on Arts Express on WBAI 99. FM NYC, and Pacifica affiliates across the country.
You may know of the great British director Michael Apted for his thrillers including the James Bond film The World is Not Enough, or you may know him for his outstanding work with Sissy Spacek in the Academy Award-nominated Coal Miner’s Daughter, or his work with Jodie Foster in Nell. But for many, Michael Apted’s greatest achievement was begun 56 years ago when he selected 14 British schoolchildren from different social and economic classes for the documentary called 7 Up. He subsequently chronicled their physical, emotional, social, and mental lives in ongoing 7-year installments. In a remarkable coup, Apted is now releasing 63 Up, and the 7-year-olds we met in 1964 are now all 63 years old.
I was lucky to interview Mr. Apted for the radio program Arts Express. Click on the triangle to hear the interview as broadcast today on WBAI 99.5 FM, NYC
Last Thursday WBAI broadcast the interview I did with filmmaker Ken Burns, whose new PBS documentary Jackie Robinson airs April 11-12. Burns talks with me about the myths that have grown around the legend of Jackie Robinson, and the whole process of filmmaking.
If you have any interest in baseball, film, or American history I think you’ll greatly enjoy listening to this interview with a great American documentarian.
Thanks to Mario Sanchez for helping to edit this radio piece.