In 1980, Joel Sucher made a film called Free Voice of Labor: The Jewish Anarchists, which was a portrait of immigrant life in the U.S. as seen through the eyes of sweatshop workers who made up the Jewish anarchist movement. Between 1900 and World War I, these Yiddish-speaking anarchists constituted an influential political movement affecting trade unions, newspapers, left-wing culture—and hysteria—in the US. Now 40 years later, that film has been re-released. I was happy to interview one of the original directors of Free Voice of Labor, Joel Sucher.
Click on the triangle or link above to hear my conversation with director Joel Sucher as broadcast today on WBAI NY and Pacifica affiliates across the nation.
Here’s a remarkable 4 minute clip from a 1932 film, Uncle Moses, in Yiddish with English subtitles. The plot of the film is quite convoluted, but its depiction of class relations and militant immigrant workers is far more advanced than just about anything you’d see in a theatrical release today.
And is that Edward G. Robinson I thought I saw entering the room at about 3:23?
In a world gone crazy, we might need to put the entire planet on the couch. Bruce Levine, a practicing clinical psychologist often at odds with the mainstream of his profession, argues in his newest book, Resisting Illegitimate Authority: A Thinking Person’s Guide to Being an Anti-Authoritarian, for the essential value of anti-authoritarians in a democracy, and questions their treatment by the medical establishment. He also dishes a few pro-tips on how resisters can survive the slings and arrows of an authoritarian society.
You can listen to my interview with Bruce Levine as broadcast this week on the Arts Express radio program on WBAI 99.5 FM NYC, by clicking on the grey triangle above.
After Charlie Chaplin’s American passport was revoked during the McCarthy era, he made a movie in his exile called A King in New York, about a monarch who visits the US and is subjected to a HUAC-like Congressional panel. In one particularly pointed scene, the King visits a progressive school and gets an earful from an anarchist-minded young lad, serendipitously played by Chaplin’s own 10-year old son, Michael. Both a spoof and delineation of anarchist ideas and those who promulgate them, it’s some of the most radical talk you’ll hear in a studio motion picture.
Now, here is Part Two, the second half of my interview, which was broadcast on WBAI radio’s Arts Express program yesterday.In this part, Jodi Dean talks about the problems with The New Left and Identity Politics; the anarchist/socialist split; the various critiques of the party formation and the rebuttal of those critiques; and why she thinks parties are the only way forward for those who would seek to upend capitalism.
Click on the grey triangle above to hear Part Two.
Crowds and Party by Jodi Dean is a fascinating must read for anyone interested in how political change happens, and what the left must do now. In this book, Professor Dean talks about those “beautiful moments” that have happened throughout history—think The Paris Commune and Occupy Wall Street—where The Crowd has created a disruption in the usual fabric of capitalist society. But those “beautiful moments” are short-lived, ephemeral, and seem to disappear into forgotten hope. How can a movement hold onto and build on these precious historical moments? Jodi Dean tackles crowd theory and the concept of a working people’s political party, reviews the relevant literature, and presents her analysis in her new book, Crowds and Party.
The book is not always easy reading, so I was happy to have the opportunity to engage in a spirited conversation with Professor Dean, broadcast on WBAI 99.5 FM NY radio yesterday on the Arts Express program. Dean was so interesting that we decided to do two parts to the interview, broadcast one week after the other.
You can listen to Part One by clicking on the grey triangle above.