Urzula!

Monday Morning, “Papaya.” I owned the album Urszula which had this song on it, “Papaya,” because in 1975 I worked for a short time in a record store in Grand Central Station, and the manager, who was a jazz freak, insisted we all listen to it. I immediately bought it. The singer was a Polish jazz singer named Urszula Dudziak, and she had the most amazing range. “Papaya” was by far the most commercial track. The rest of the album was filled with incredible sonic experiments which were so far out (and according to my roommate at the time, maximally annoying) that they made Frank Zappa seem like bubble gum pop.

Thanks to YouTuber Rat Ward

More is Loesser Dept: I’ve Never Been In Love Before

Monday morning, a great tune by Frank Loesser who wrote it for the play, Guys and Dolls. For some reason, the song never made it into the movie, to the film’s detriment.

Emmet Cohen and his band and vocalist Gabrielle Cavassa knock it out of the park.

More at Emmet Cohen

Becoming Ella Fitzgerald: Part Two

This is part two of my interview with Judith Tick, musicologist and author of the new biography, Becoming Ella Fitzgerald. In this part, we talk about Ella’s relationship with her producer Norman Granz, the songbooks, and her later years.

Click on the triangle or mp3 link above to listen to the interview as broadcast on the Arts Express program, heard on WBAI FM NYC and Pacifica affiliates across the nation.

You can hear part one here:

Becoming Ella Fitzgerald, Part One

Becoming Ella Fitzgerald, Part One

I was happy to speak with Judith Tick, famed musicologist and professor emerita of music history at Northeastern University, and also author of the new biography of Ella Fitzgerald, Becoming Ella Fitzgerald.

Click on the triangle or mp3 link above to listen to part one of our interview, as broadcast today on the Arts Express radio program, heard on WBAI FM NYC and Pacifica affiliates across the nation.

And here is part two of the interview:

All The Things You Are: Connie Evingson

I don’t know why I’ve never heard of her before, but I really like her voice and the band. She’s from Bob Dylan’s hometown, Hibbing, Minnesota. Irv Williams on tenor sax and Jeanne Arland Peterson on piano.

Thanks to YouTuber yoichiro tani

A Heavenly Trio

This was really fun–comedian Art Carney guested on the Johnny Carson show and Carney, Carson and Sid Caesar ended up playing “My Blue Heaven” as a jazz trio, with Carney on piano, Carson on drums and Caesar on sax.

More at Johnny Carson

Compared to What

The Eugene McDaniels jazz classic, this time performed by Brian Auger and Alex Ligertwood

Brian Auger: Hammond B3; Karma Auger: drums; Alex Ligertwood: vocals; Leslie King: bass; Yarone Levy guitar

Thanks to YouTuber bluesWhm

Art Ford’s Jazz Party

Monday morning, Art Ford introduces a great all-star band on his 1958 television program who play a Dixieland number, “I’ve Found a New Baby.”

The musicians are: Johnny Windhurst, trumpet; Tyree Glenn, trombone; Hank D’Amico, clarinet; Coleman Hawkins, tenor sax; Teddy Charles, vibraphone; Alec Templeton, piano; Mary Osborne, guitar; Doc Goldberg, acoustic double bass; Morey Feld, drums;

Thanks to YouTuber MisterStereo

Dorothy Flips Her Wig

Monday morning, the unbelievable Dorothy Donegan who pounds the piano so hard she literally flips her wig. Art Tatum said of her that she was the only pianist who made him feel like he needed to practice more.

Thanks to YouTuber William Gray Harris

Let’s Fall In Love: Ella Fitzgerald

The Great Ella with a terrific song by Harold Arlen and Ted Koehler. Not to be confused with Cole Porter’s “Let’s Do It, Lets Fall in Love.”

Accompanied by the Billy May Orchestra, from the Ella Fitzgerald Sings the Harold Arlen Song Book.

Thanks to YouTuber JazzBreakTV

Compared To What

(Click on video to play)

Monday morning, this Gene McDaniels/Eddie Harris song seems more and more relevant every day. Here’s the great Nellie McKay from a performance just last month giving it her all.

Thanks to YouTuber Monks Jazz Club

Start of Something Big

Monday Morning, Walden Robert Cassotto (that’s Bobby Darin to most of us) with the Steve Allen standard; and “Just in Time” from Bells are Ringing

Thanks to YouTuber The Ed Sullivan Show

Ain’t Misbehavin’: Joe Pass

I like Joe Pass because he always has such taste. You know that he could do whatever he wants to do on the guitar, but he holds himself back just a bit, restrains himself from showing off too much.

When I was a teenager I worked on a play as a stage manager with a very good professional older cast who I looked up to. I remember one actor, Gene, who came off stage into the wings where I was, after playing a very emotional scene. He was still crying from the scene, and I was impressed by the real tears. I congratulated him on how powerful the scene was. But he shook his head, and said to me, no, he didn’t get it right; he didn’t want to cry at that point in the play, it didn’t serve the playwright. I never forgot that.