What’s making you jump out of bed this Monday morning? Not the bedbugs, the jitters.
Jumpin’ at the Woodside, The Count Basie Orchestra, tenor sax, Eddie “Lockjaw” Davis.
David Amram’s impossibly beautiful waltz from “After The Fall,” with Paquito D’Rivera on saxophone.
The piece was composed for use in the original Elia Kazan stage production of Arthur Miller’s play After The Fall.
Thanks to YouTuber newportclassic
Monday morning, Mama nixes making music, but that doesn’t stop David Amram and company.
Has there ever been a musician more accomplished in so many fields of music than David Amram? Whether it be in folk music, classical, jazz, or even movie scores (Splendor in The Grass and The Manchurian Candidate were his compositions), he’s been an eclectic, generous presence.
Here he is playing a musical introduction at the Philadelphia Folk Festival with Larry Campbell on guitar, Erik Lawrence on sax, Somoko on violin, and Amram’s son, Adam, on drums. Be sure to catch Amram playing two pennywhistles at 4:25.
Amram is about eighty years old in this video and still making great music now at age 87.
Thanks to YouTuber Ky Hote
Monday, and knee deep in alternative facts. This Yip Harburg-Harold Arlen song spills the beans.
Nat King Cole was such a great singer that sometimes people forget that he started out as a first-class jazz pianist, as you can see on his piano solo here.
Reunald Jones on trumpet, John Collins on guitar.
Thanks to YouTuber Johnny Brown
Billie Holiday performed this song throughout her career, but I especially like this 1956 live version, which has much less of an intrusive orchestral backing than the studio Decca recordings of the 40s had. I think this was the first Billie Holiday song I ever heard, and it remains one of my favorites.
Thanks to YouTuber RoundMidnightTV