If you are a magic buff, I dare you not to laugh at this hilarious video posted by David Williamson on YouTube. If anyone knows who did the brilliant puppetry, I’d appreciate any information you could add here.
UPDATE from David Williamson, who kindly provided the following information:
“The puppet was made by Barry Gordimer of Washington DC. He also made a Max Maven and Ed Marlo puppet. We use these in a skit at the Washington DC convention put on by Rich Bloch years ago.
Mike Caveney of Pasadena California was the voice of the professor. He owns that puppet now and we decided to shoot that video on our Drive from Pasadena to Las Vegas for the magic live convention. So Mike was driving and operating the puppet and doing the voice. It’s a wonder we survived!
When we did the skit at the DC convention, John Carney voiced Marlo and Max.
It was hilarious. Vernon and Marlo got into a smack down. I don’t think I have a video of that. I wish I did!”
And here’s another installment of books I’ve been reading in the last few weeks, all recommended.
Impossible Vacation by Spalding Gray: Monologist Spalding Gray for years went around performing a one-man show called Monster-In-A-Box, his attempt to wrestle his unwieldy manuscript into a novel. The result was Impossible Vacation. I’d been in a period of non-reading recently, but I picked this up in a used bookstore, and it got me reading again. It’s a first person account of the life of a narcissistic and badly depressed actor/performer (a thinly disguised Gray), and while the language is not distinguished, this portrait of a would-be artist in the 1970s rang a lot of bells for me. You can see Gray trying to wrestle meaning out of this, and it ends fairly arbitrarily as if he needed to stop somewhere, but I found the book to be truly affecting in parts and often funny.
Trouping With Dante by Marion S. Trikosko: In this memoir, a teen-age boy gets to troupe with the great magician Dante’s large illusion show throughout the country, while learning the inside story about show business and magic. It’s a difficult life, but he seems to have a lot of fun along the way. Decades later, Trikosko’s account confirms that Dante was a generous but exacting taskmaster, and Marion’s enthusiasm allowed him to gain, in a relatively short period of time, more and more responsibility in assisting the show. The author does a great job of setting up the context of the rigors of touring a large illusion show at a time when that way of performing life was starting to come to an end, and for magician readers there’s lots of inside information about the workings of the show. If you’ve ever wanted to run away and join the circus, or become Blackstone’s assistant, you’ll be charmed by this book.
The Commitments by Roddy Doyle: I can’t think of an author whose work I enjoy reading more. Doyle, like most of the authors I admire most. has a wonderful ear for dialogue, and the language is vivid and memorable. While it’s a slight story—the limited rise and limited fall of a thrown-together Dublin bar band—the characters are humorous, sympathetic, and fun to read about. The short novel is a very quick, well-paced read, and I don’t even fault it’s feel-good ending. It feels like a film treatment, and of course it was made into a film, which I will immediately put onto my Netflix cue.
Williamson’s Wonders by Richard Kaufman: David Williamson is one of my favorite magicians, and here he tips some of his best routines, including “51 Cards to Pocket,” “Torn and Restored Transposition,” and the real work on “The Striking Vanish.” Kaufman’s written descriptions and illustrations are very good, and while these are not beginner’s tricks, most of them seem to be attainable by the average magician after some work—at least the mechanics. Kaufman does a good job of laying out the nuts and bolts, but to really get the full potential of these items, it really pays to look up some of Williamson’s performances; not to copy him, but to get an idea of the entertainment that can be wrung out of these items.
Humans of New York: Stories by Brandon Stanton: This is a follow up to Stanton’s Human of New York. This time the portraits of New York City street life are accompanied by descriptions of the people photographed, accompanied by the subjects’ own words. They present a fascinating and sometimes moving collage of the life of the city.