And here’s Part Two of our interview with singer/songwriter Roy Zimmerman. Last week in Part One we talked with Roy primarily about his more comical satirical songs. This week, in the final part, the conversation takes a turn as Roy talks about how he writes a song with heavier political content–maybe songs that can change some minds.
Click on the triangle or mp3 link above to hear Part Two of my interview with Roy as broadcast today on the Arts Express radio program on WBAI FM NYC and Pacifica affiliates across the nation.
Roy Zimmerman has been described as “Lenny Bruce meets Stephen Sondheim meets Phil Ochs in Brian Wilson’s living room.” He’s a master of satirical political songwriting, the lyrical heir to Tom Lehrer, as well as a damned fine musician. I’ve been listening and laughing at his sharp wit for years, and I was very happy to do an extended interview with him.
Click on the triangle or mp3 link above to hear Part One of my interview with Roy as broadcast today on the Arts Express radio program on WBAI FM NYC and Pacifica affiliates across the nation.
More than the great subway settings and the heartfelt sentiments, this Roy Zimmerman tune is probably the only song you’ll hear today that uses the word Weltschmerz. (For those like me, who had to look it up, ever-reliable Wikipedia tells us that Weltschmerz means “world-weariness, the kind of feeling experienced by someone who believes that physical reality can never satisfy the demands of the mind.)