
Mission DIstrict
San Francisco, California
Betty White died last week. She was a fine comedian and when she appeared on the Johnny Carson show, she and Johnny would team up to do sketches.
Here’s an eerily appropriate climate catastrophe sketch from the 1980s that was inspired by the then odd weather that Malibu was experiencing.
More at Johnny Carson
Monday morning, going to the window to hear those kids and birds singing. A great haunting cover of The Train Song by Kelly, Josh and Carson, performing a once obscure song by Vashti Bunyan. Vashti Bunyan’s musical journey is an interesting one in itself: this song was originally recorded in 1966, and released on an album in 1970; the album flopped and Vashti left the music world. Thirty years later, her music is rediscovered, she gains a measure of fame, and now she is playing music dates again.
Kelly’s and Carson’s harmonies are exquisite.
More at Josh Turner Guitar

There’s a long history of actors and variety performers who have had their first taste of theater with a basement childhood puppet stage. But actor Robert Brock of Lancaster PA was determined to make good on his childhood dream of building a marionette theater for the public and living in an apartment upstairs. Now in a new documentary, director Alexander Monelli brings to life the joys and woes of Robert’s single-minded adult pursuit of his childhood dream in Monelli’s new film Marionette Land.
Click on the triangle or mp3 link above to hear the interview with Alexander Monelli, as broadcast yesterday on WBAI FM NYC and Pacifica stations across the nation.

As we begin a New Year, here is the editorial I printed in the latest Arts Express Magazine talking about how art may help in the coming year.
A year ago, we had hoped that the worst days of the COVID pandemic were on the wane, and that the Democrats would offer perhaps an eyedropperful more in the way of healthcare and economic help. But even with our low expectations, the new regime managed to disappoint still further, and we had yet another year of deaths and hardships.
In the midst of this, it’s worth asking what is the role of art, both the performing arts and the visual arts in all this? How can they help us in our circumstances?
As we see it, on the most rudimentary political level, art can teach us; it can tell us stories of resistance, struggles for equality and justice, rising up against oppressors, uncover unknown stories that might prompt us to action. Art can also provide us with courage and inspiration, as when we sing in unison with our comrades, or cheer a protagonist in a film. These are important aspects of art, but we want to advocate, too, for some of the less acknowledged qualities of art, equally important, as opposed to the more overtly political.
The very making of art means that an artist is a human who observes the world, interprets it, and responds to it. The artist is an active agent in making the world rather than just accepting it. The act of sharing is important too; the artist says: the world looks this way to me, how about you?—even if we’re just talking about a bowl of fruit. We can only understand this life by checking with others what their experience is, and sharing our own.
Crucially, though, in art we use our imaginations to tell the stories of others. In that act of imagination, artists explore the experiences of others, try on new roles for themselves. Although we only present a tiny slice of what we are and can be in our “real lives,” we begin to understand that each one of us contain multitudes. The real freedom artists allow themselves in creation is a wake-up call to the rest of us that most of the time we are walking around half-blind: blind to the possibilities of the world around us and blind to the possibilities within ourselves as human beings. That realization alone brings hope–and battles despair–as we try to live our fullest lives. We wish you all a happy and healthy year full of possibilities.
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