Monday morning, Josh and Carson get locked out of their apartments.
In this cover of Vampire Weekend’s “Harmony Hall,” Josh figured that virtuoso singing and guitar-playing was too easy, so let’s throw in taking off and putting on the guitar capo a few times without losing a beat.
Monday morning, Carson McKee makes with the crooning, and Josh Turner futzes with his guitar, performing one of my favorite Christmas songs.
And here’s some cheery news. It seems the original lyrics to the song were much darker, but Judy Garland who sung it originally in Meet Me in St. Louis, asked that the lyrics to the song be made more upbeat. Songwriters Hugh Martin and Ralph Blane changed the lyrics to the more upbeat ones heard today.
But for fun, here are the old nasty lyrics. I like them better:
Have yourself a merry little Christmas. It may be your last. Next year we may all be living in the past. Have yourself a merry little Christmas. Pop that champagne cork. Next year we may all be living in New York. No good times like the olden days. Happy golden days of yore. Faithful friends who were dear to us. Will be near to us no more. But at least we all will be together. If the Lord allows. From now on, we’ll have to muddle through somehow. So have yourself a merry little Christmas now.
Monday Morning in the Park (Prospect?). Carson McKee takes the lead on a lesser-known Beatles song by Mr. Lennon. (The brass figleaf with bronze oakleaf palms if you can guess which album it’s from. Careful–it’s a bit of a trick question.)
Josh Turner on guitar, and guest Jim Hogan with the terrific harmonies.
A younger Carson McKee with a laid-backed version of the Dylan song. Carson sings the story and lyrics of the song so simply and straightforwardly that he makes it sound like an American Songbook standard.
Monday morning, Carson McKee, Reina del Cid, Josh Turner and Toni Lindgren make the most of their hotel room with their performance of the Beatles’ “Rocky Raccoon.” Make sure to stay for the blooper outtake at the end.
Josh Turner and friends cover the Paul McCartney ditty from the Ram album. I really enjoyed the extended banjo, fiddle, bass, and drum chorus at the end. And how the heck does Josh do that video editing, keeping all the audio in synch?