Who has not looked up in the sky at birds and wished they could fly? Jennifer Ackerman has spent a good part of her adult life thinking about and writing about birds and the natural world. She is the author of eight books including a favorite of mine, The Genius of Birds. Her latest book is called The Bird Way: A New Look at How Birds Talk, Work, Play, Parent, and Think. I was pleased to talk with her on Arts Express and learn some startling stories about birds .
Click on the triangle or mp3 link above to hear my interview with Ms. Ackerman, as broadcast today on radio station WBAI FM NYC and Pacifica affiliates across the country.
Monday morning, Dad shows how it’s done: Ross McManus, the father of Declan McManus—better known as Elvis Costello—out-Trini’s Trini Lopez with his version of “If I Had A Hammer.”
Thanks to YouTuber Christopher Suprun and Bev Shalom for passing this on.
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Roses of Yesterday by Harriet Whitney Frishmuth
Brooklyn Botanic Gardens
Brooklyn, New York
Brooklyn Botanic Garden
Brooklyn, New York
Some say magician David Blaine is just regurgitating old material, but he didn’t have to take it so literally. Anyway, come for the announcement of his newest hair-raising stunt, but stay for the cuisses de grenouilles.
It’s August and that’s the month poet Charles Bukowski was born in 1920. With over 5000 poems and six novels and hundreds of short stories to his name, he’s become a kind of cult figure over the last decades. While his writings have stamped him with the indelible persona of an alcoholic anti-social misanthropic and misogynistic git, yet there’s also a gentler humanness in Bukowski.
He died at the age of 74. On his gravestone the epitaph reads, “Don’t Try.”
Come with us now as we go out to our favorite virtual watering hole, knock down a couple of drinks, and listen to a performance of some of Bukowski’s poems as broadcast today on Arts Express radio on Pacifica stations across the nation.
Click on the grey triangle or mp3 link above to listen.
Sunday evening, Paul finds 50,000 to perform with, nah-nah-nah-nah-ing far into Monday morning.
Paul McCartney at the amazing Hyde Park concert in 2010, singing “Hey Jude.”
By the end, I think even McCartney was in awe. All 50,000 people, men, then women, were singing in the right key.
Here is the incredible set list for the concert that night:
- ‘Venus And Mars’/‘Rock Show’
- ‘All My Loving’
- ‘Letting Go’
- ‘Got To Get You Into My Life’
- ‘Let Me Roll It’
- ‘The Long And Winding Road’
- ‘Nineteen Hundred And Eighty Five’
- ‘Let ’Em In’
- ‘My Love’
- ‘I’m Looking Through You’
- ‘Two Of Us’
- ‘Here Today’
- ‘Dance Tonight’
- ‘Mrs Vandebilt’
- ‘Eleanor Rigby’
- ‘Ram On’
- ‘Sing The Changes’
- ‘Band On The Run’
- ‘Ob-La-Di, Ob-La-Da’
- ‘Back In The USSR’
- ‘I’ve Got A Feeling’
- ‘Paperback Writer’
- ‘A Day In The Life’/‘Give Peace A Chance’
- ‘Let It Be’
- ‘Live And Let Die’
- ‘Hey Jude’
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This semipalmiated plover was one of many skittering around yesterday. They’re small—between the size of a sparrow and a robin—and camouflaged in a muddy rocky area. But they can be seen as they run around, which is often, and when they fly they have distinctive striped markings on their wings. The one complete band around their neck distinguishes them from some other similar-looking birds.
Marine Park Salt Marsh
Brooklyn, New York
Gordon Lightfoot’s song “If You Could Read My Mind” was always one of my favorites, but I never had the musical knowledge to understand why I liked it so much, even over and above the great lyrics. Rick Beato’s musical breakdown of the arrangement and production of the music of Lightfoot’s recording is just wonderful. His discourse on the song not only makes me feel smarter, but much more to the point, makes me hear things in the recording that I had never consciously heard before. (Headphones recommended).
More at Rick Beato
Here’s the second installment of the Five Foot Shelf of Magic. You can read the first installment here.
I’ll assume you’ve learned enough about basic sleights and presentation so that now I’ll recommend books that explain more advanced techniques or books that offer a broader scope of action. I also include more books that give a more intimate look into aspects of the history of magic.
Bound to Please by Simon Aronson is a collection of three smaller books by the author. The first is a collection of early card effects of Aronson’s, the second is a description of his memorized deck, and the third is devoted to a single card effect called “ShuffleBored.” Aronson, by training a lawyer, was one of the best writers of magic around. His writing is thorough, detailed, engaging, and some of the cleverest card magic you’ll ever encounter. You will fool yourself.
Let’s take the three sections from back to front (and it’s probably the best way to read the book!) : ShuffleBored is not only the best “self-working” card trick in the universe (and I’ll back that up with money if need be!) it’s stronger than 90% of most other card tricks as well. (Hot tip: do John Bannon’s version from Dear Mr. Fantasy. His ideas with the eye covering and shuffling procedure are great improvements.)
The second section is an extensive tutorial on Aronson’s memorized deck: how to learn one, and the specific features built into the Aronson stack. You’re not going to acquire a memdeck overnight, but it’s not as hard as many think. If you’re serious about this stuff, you might as well start now, and you’ll get it down long before you get your pass or strike double to where you like it. You’ll have an incredible tool in your kit.
The third section is a collection of card magic, some of which uses the memdeck. My favorite trick here is “Some People Say,” which has a very simple plot, but the conditions are so stringent that it seems a complete impossibility. Very good for driving your analytical friends crazy.
BTW, if you’re skeptical about learning a memdeck or just want to know more, Aronson wrote a booklet for those contemplating learning a memdeck and graciously offered it for free here.
Simply Simon, by Simon Aronson. More card magic from a great thinker of card magic. There are some wonderful routines, including my favorite memdeck routine, “Past, Present, Future.” But it’s not just a book of memdeck effects—even if you never want to remember another card in your life, there’s great material here, somewhat challenging to learn, but not overly difficult.
Stars of Magic: This thin volume consists of the original Stars of Magic pamphlets that were originally printed separately but are now offered as a bound collection. And a stellar collection it is. There are effects by John Scarne, Dr. Daley, Francis Carlyle, Dai Vernon, Slydini, and more. This is professional level magic and a career could be assembled from learning all these effects. They’re not necessarily easy, and they do contain some advanced sleight of hand, but these are classic routines that have stood the test of time and probably every professional magician working today has one of these effects in his or her repertoire. Even if you don’t master all of these routines, you should be aware of them.
Gerald Deutsch’s Perverse Magic: I wrote at length on this book here and here. One of the big hurdles for performing for people you’ve known for years is that they find it hard to swallow that you are suddenly endowed with superhuman powers. How do you perform for friends and family without coming off as a narcissistic jerk? Well, Jerry Deutsch has an approach which really resonates with me. In this style of presentation, the performer is as surprised by what happens as the spectator is. In fact, even when the performer tries to do a trick, the trick goes wrong (that’s the Perverse part)—but with a stronger effect than what was first expected, much to everyone’s surprise.
There are hundreds of tricks here with cards, coins, balls, dinnerware, all with scripts and detailed explanations. The book does assume knowledge of some basic sleights, many of which you will have picked up by the time you reach this foot of the shelf. It’s great if you want to perform for family or friends at the dinner table, or for casual business associates at lunch. [And I’ll put in a little plug here, since I helped to put this book together. All proceeds go to charity, and can be found at https://www.lulu.com/en/us/shop/gerald-deutsch/gerald-deutschs-perverse-magic-the-first-sixteen-years/hardcover/product-1z9p5rn5.html]
Dai Vernon: A Biography by David Ben. The most influential magician of the twentieth century, Dai Vernon, was essentially an obsessed amateur for whom the art of magic was more important than business, family, or just about anything else. “The Man Who Fooled Houdini” created some of the greatest close-up effects and techniques in magic and was also a consummate teacher. Because Vernon did little documentation of his own work (although he was an endless storyteller), this first volume of a projected two volume set about his life is a valuable detailed look at the trajectory of Vernon’s domestic and magic lives.
Tricks Every Magician Should Know by Al Schneider. This is a fun book filled with, well, stuff. The kind of throwaway novelties that some magicians seem to know, but aren’t necessarily written down anywhere: How To Shoot Rubberbands, Making a Handkerchief Rabbit, How To Tie A Knot Without Letting Go Of The Ends, How To Push A Cigarette Up Your Nose—you get it, the essential things.
The Phoenix, edited By Bruce Elliott. I’m a magic magazine junkie, and it was a toss-up whether to list Hugard’s Magic Monthly or The Phoenix. I went with the latter for now, because The Phoenix has more of a close-up focus than stage, and it’s much more available.
The Phoenix was the offspring of Ted Annemann’s The Jinx, and like The Jinx it eschewed sleight-of-hand effects for those using subtle and clever principles. There were some wonderful contributors, including Vernon, Marlo, and Paul Curry (“Out of This World”) who had a regular column. Bruce Elliott was a writer by trade who kept the magazine lively with his strong opinions and commentary on the magic scene of the 40s and 50s. Yes, you can find pdf files of this, but the bound collection is so much more fun to read.
Classic Secrets of Magic by Bruce Elliott. I first read this book as a teen-ager when it was issued in paperback. It covers a dozen or so classic close-up effects of magic. This is not meant as an expose book, but a serious book of teaching magic. The book, much of it drawn from articles in The Phoenix, covers effects like the Cups and Balls, The Four Aces, The Miser’s Dream, The Ambitious Cards and others.
The methods given for these tricks are not always the most sophisticated, but they are meant for advanced beginners and they will get the job done. A warning—this book is not for children. There’s a version of the Swallowing Razor Blade Trick that’s not at all suitable for young people, and there’s another trick involving corncob pipes that has a good chance of seriously harming the performer (both ammonia and hydrochloric acid are involved here. Ah, the 50s!). But the rest of the book is very good, and the Dr. Sachs dice routine, which is not easy to find elsewhere, is an excellent impromptu item to know.
Monday morning, the McCartneys wake up next to each other and Paul sings.
With Jimmy McCulloch on bass, Denny Laine on 12-string guitar, both of Wings.
Thanks to YouTuber Gissela Pereyra
Katie Fleming’s pet eclectus parrot, Jasper, demonstrates that he is more intelligent than three-quarters of Congress and seven-eighths of the executive branch. We bow down to Jasper, our new parrot overlord.
More at Katie Fleming
In this live performance from The Ed Sullivan Show, you can barely hear Buddy’s guitar because Ed demanded that the sound be turned down. But Buddy bangs it out nevertheless. After that, Buddy reportedly refused to perform the second song he was scheduled to sing on the show.
Thanks to YouTuber Maniana14
As Congress argues about whether, Please Sir, May We Have More Gruel? let’s not forget about who is really important here.
Riki “Garfunkel” Lindhome and Kate “Oates” Micucci in a dead-on satire of “We Are The World” type celebrity videos.
Warning: Language Not Suitable For Work.
More At: Garfunkel And Oates
Here’s the audio version of my commentary on Shakespeare’s King John, which I recorded for Arts Express on WBAI NY radio and Pacifica affiliates across the country..
It’s one of the least known of Shakespeare’s plays, but no less a writer than George Orwell said about it, “When I saw it acted, what with its intrigues and double crossings, non-aggression pacts, quislings, people changing sides in the middle of a battle, and what-not, it seemed to me extraordinarily up to date.”
To listen, click on the triangle or mp3 link above.
Monday morning, Dion, now pushing 80 years old, sings “Here in America,” his moving tribute to Sam Cooke, with whom Dion toured. The harmonies by the unseen Paul Simon raise it to a whole other level.
More at Dion