“Well, Blow, Roy, Blow”

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Monday morning Gene Krupa, Anita O’Day, and Roy Eldridge in “Let Me Off Uptown.”

Thanks to YouTuber JUSTASITTINANDAROCK

Oh, Lady, Be Good

AnitaODay 1958

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If you ever done any theater improv, you know that the art and craft of making things up on the spot is a tricky one to master. The imperative is always to deal with what is happening in your environment at that very moment—to accept what’s in front of you and then embellish and extend. It’s always tempting to speed ahead in your mind, rather than trust that if you just follow your way from moment to moment to moment, you’ll get to where you need to go.

It was with delight that I read the following about musical improvisation in Anita O’Day‘s autobiography High Times, Hard Times (a wonderful portrait of a giant of jazz song). The parallels to theater improv were immediately recognizable. I had never heard anyone talk about musical improvisation the way she does.  In the following paragraph she writes about how she learned to improvise on a melody by being committed to staying in the moment, and using any cues in her environment she could at that fleeting instant to spur her imagination:

“I saved ‘Oh, Lady Be Good’ as an encore. At the point where the bridge comes to the second chorus, i needed an idea from somewhere. I saw a polka dot blouse. So I developed that chorus as a bagful of polka dots. To keep the version going, I searched for ideas. Where was I going to get my inspiration? I looked around the room and that gave me the idea of singing  the structure of the room—long wall, short wall, long wall, short wall. That gave me the frame for the chorus. I turned to the band. Five men. So I put it into five rhythm. Anything that I could get an idea from, I put to work to fill out my time on the stand. I did it that way because technically I was not knowledgeable about music. I needed to get the thought behind the sound going, and I took it from wherever I could get it. In all, I did twelve choruses of “Oh, Lady, Be Good!” and when I finished the place exploded. People shouted, stampeded, applauded, whistled, stood on their chair and cheered. It was the response you dream about…”

Thought and action at the speed of sound. Just thrilling.

Lullaby of Birdland

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Monday morning, just one of the greatest jazz singers ever.

Thanks to YouTuber texpaco

Moonlight In Vermont

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One of my favorite standards as whisky-in-hand performed by Messrs. McKee and Turner on the rooftop of Josh’s apartment. Dig the passing subway.

Thanks to YouTuber Josh Turner Guitar

Whoa, Nellie!

nellie mckay

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The wonderfully versatile singer, actor, and songwriter Nellie McKay spoke with us a while back, following her engagement at Birdland in New York City. You can listen to the interview as broadcast yesterday on the Arts Express radio program on WBAI 99.5FM NYC by clicking on the little triangle above.

Tenor Madness: Sonny Rollins and John Coltrane

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Monday morning the two tenors, a great combo, blowing tenor madness.

Thanks to YouTuber Gio Co for the excellent selection of video images that take you right into the music.

Just In Time: Andre Previn

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Andre Previn died this month. I only knew of him as a composer and conductor of music for film, but he was also a very fine jazz pianist as this performance of “Just in Time” from the Broadway show Bells are Ringing, written by Betty Comden, Adolph Green, and Jule Styne, attests.

Thanks to Counterpuncher Jeffrey St. Clair for pointing out this video,

and thanks to YouTuber lstash

 

“And The Walls Came Tumbling Down”

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Monday morning, Mahalia Jackson suggests extra-legislative means to erase borders with “Joshua Fit The Battle of Jericho.”

Thanks to YouTuber Paulo LaPraga Vinhal

Gold Dust At My Feet

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Monday morning, Nellie McKay and Friends heating things up on The Sunny Side Of The Street.

Nellie McKay – vocals; Dan Levinson – clarinet; Gordon Au – trumpet; Jim Fryer – trombone; Chris St. Hilaire – snare drum

Thanks to YouTuber Dennis Lichtman

What Is Jazz?

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When two of the greatest jazz singers, ever, tell us, we listen.

Ella Fitzgerald and Mel Torme at the 1976 Grammy Awards. Just electric.

Thanks to YouTuber 1941 Vintage

Work Song: Nellie McKay

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Thanks to YouTuber 50pointsomethin

More Nellie at http://nelliemckay.com/

My Attorney Bernie

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Blossom Dearie considers her attorney’s advice.

Thanks to YouTuber Peter W. Bosse

Compared To What?

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Nellie and Company take a swing at the Eugene McDaniels classic made famous by Les McCann and Eddie Harris

piano & vocals – Nellie McKay; bass – Alexi David; guitar – Cary Park; drums – Kenneth Salters

More Mckay at Nellie McKay

“She’ll Have You Doing Things That Ain’t Right, Son”

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Was there anyone cooler than Louis Jordan? Wild singer, saxophonist, songwriter, and bandleader who also had dance moves of elegance and wit to compare with Fred Astaire. Monday morning, the call goes out to “Caldonia.”

Thanks to YouTuber vintage video clips

‘S Wonderful: Ella Fitzgerald and Sammy Davis, Jr.

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There were giants in those days. Monday morning, the Gershwin brother’s standard, sung by two greats. According to the pre-performance chit-chat, this was the first time the two had sung together.

Thanks to YouTuber rockinhillbillies

Trifecta

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Monday morning, you hit the jackpot: Ella Fitzgerald, Pearl Bailey, and Sarah Vaughn. As far as I know, this 1979 television special, All-Star Salute To Pearl Bailey, is the only time they had all sung together publicly.

The medley includes:

Stompin at the Savoy
Perdido
Don’t Mean a Thing
Cherokee
Sweet Georgia Brown

Thanks to YouTuber newstart2009

Misty: The Divine Sarah

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Sarah Vaughn, making me smile right from the beginning…”Look at me…”

Thanks to YouTuber RoundMidnightTV

Hard Work

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The alarm clock rings Monday, and you’re ready to tote that barge, lift that bale.  John Handy’s 1976 surprise hit jazz recording in its original longer album version.

  • John Handy – alto saxophone, tenor saxophone, vocals
  • Hotep Cecil Barnard – keyboards
  • Mike Hoffmann – guitar
  • Chuck Rainey – electric bass
  • James Gadson – drums
  • Eddie “Bongo” Brown – congas, percussion

Thanks to YouTuber Marc Leroy

Jump The Blues Away

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Because desperate times call for desperate measures, Monday morning we overcome the blues by leaping and bounding out of bed into the arms of  Paul Quinichette on tenor sax.

When I was a college student I would often go to the West End bar near Columbia University to listen to the Brooks Kerr trio. A young Phil Schapp was the host, and an equally young prodigy, Brooks Kerr, played a very tasteful stride piano, but it was the saxophone player, Paul Quinichette, who absolutely tore up the place every time.

Thanks to Youtuber rujazzka

Battling Drums

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Gene Krupa to the left and Buddy Rich to the right. Rich gets the best of it, I think, but really both are out of this world. Sammy Davis Jr. looking on.

Thanks to YouTuber DRUMMERWORLD by Bernhard Castiglioni

Enhanced Mood

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Monday morning, New Year’s Day, you’re nothing if not In The Mood. That’s Glenn Miller with the glasses, on lead trombone.

Happy 2018!

Thanks to YouTuber Орлин Вълчев

If Not Now, When?

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Monday morning, “Now’s The Time,” Charlie Parker

Charlie Parker (alto sax),

Miles Davis (trumpet),

Dizzy Gillespie (piano),

Curley Russell (bass),

Max Roach (drums).

Thanks to YouTuber  Joeio95

All The Things You Are: Sonny Stitt

 

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Monday morning you wake up in a panic and realize it’s been more than a year since you posted another version of “All The Things You Are.” (For other versions I’ve posted, see here, here, here, and here)

So, another great take here:

Sonny Stitt – alto & tenor saxophone
Joe Newman – trumpet
Duke Jordan – piano
Sam Jones – bass
Roy Brooks – drum

Lovin’ Machine

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Monday, wake up to the call of Wynonie Harris. Fifteen Top Ten hits between 1946 and 1952, and muse to Elvis Presley. Who knew?

Thanks to YouTuber RoverTCB

She’s Come Undone

 

 

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Burton Cummings of the Guess Who does a great vocal on his bandmate Randy Bachman’s quirky and evocative song. Some may recall the story of Diane Linkletter…